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  ODD JOBS
 
 

WHAT A BLAST!

It wasn’t the adventure or the nomadic lifestyle that led Tina Miser to run off and join the circus. Tina became a professional human cannonball for love.

Ten years ago, while volunteering at a summer circus festival in Indiana, Tina met a carnie named Brian.

“He was transitioning from being a flying trapeze artist to a human cannonball – that was his career change,” she says with a laugh. “At the time he was building a cannon and he asked me if I wanted to see the cannon and fire him out of it.”

They ended up becoming cannonball colleagues, and Brian trained Tina to perform the stunt. They were later married, and five years ago they had a daughter named Skyler, who travels with them in the circus. Ringling Bros. provides a traveling nursery and teachers for all their performers and their families.

Fifty weeks a year, Brian, who is now semi-retired, shoots Tina out of the canon, where she accelerates to speeds of 65 miles per hour in less than a second. She describes the stunt as “exhilarating.”

“It feels like slow motion. Every detail plays out slowly in your mind,” she says. “For me, I feel like it lasts a long time, even though it’s only two-and-a-half seconds.”

 
 

AGE: 33

COMPANY: Ringling Bros. and Barnum & Bailey Circus

YEARS IN BUSINESS: Seven

JOB DESCRIPTION: Tina and her performance partner, Ekaterina Borzikova, a circus aerialist, are simultaneously shot 90 feet out of a double-barreled cannon.

TRAINING: Human cannonballs train in intervals, starting by being propelled short distances and working their way up to longer flights. “My first shot was about 30 feet. Now in the show I’m going 90 feet, so of course I worked my way up gradually, just mastering each distance as I go.”

SKILLS: “You have to have a good sense of body control, so that you can know exactly where you are in the air and are able to make your body do what it needs to do. You have to be pretty brave too.”

ACCIDENTS: “I have had a bad landing in my airbags. Bad, as in I landed a little too much towards my feet instead of landing flat on my back, and I suffered whiplash when my head came forward.”

DELIGHTS: “The best part is when you make the landing in the air bags. When you’ve landed properly and you’ve had a good flight—there’s no feeling like that in the world.”

DIFFICULTIES: “The hardest part is probably just working up the nerve to climb into the cannon in the first place. Obviously, you can’t be claustrophobic. And we’re peaking out near 38 feet, so you can’t be afraid of heights.”

DANGERS: There is always the risk of missing the safety bags. In all, 30 human cannonballs have died over the years performing the stunt. “The most dangerous part is the landing. The injuries that you could suffer on takeoff are not as bad as the injuries you could suffer on your landing.”

SCHEDULE: Tina and her family travel 50 weeks a year with the circus. They are typically in each city for just a week. “We’re constantly on the move. Every Sunday, after our last show, we’ll pack up our motor home, hit the road and travel to the next city.” obsT I N A M I S E R , H U M A N C A N N O N B A L L

 


 
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