AGE: 33
COMPANY: Ringling Bros. and Barnum & Bailey Circus
YEARS IN BUSINESS: Seven
JOB DESCRIPTION: Tina and her performance partner, Ekaterina
Borzikova, a circus aerialist, are simultaneously shot 90 feet
out of a double-barreled cannon.
TRAINING: Human cannonballs train in intervals, starting by
being propelled short distances and working their way up
to longer flights. “My first shot was about 30 feet. Now in
the show I’m going 90 feet, so of course I worked my way
up gradually, just mastering each distance as I go.”
SKILLS: “You have to have a good sense of body control,
so that you can know exactly where you are in
the air and are able to make your body do what it
needs to do. You have to be pretty brave too.”
ACCIDENTS: “I have had a bad landing in my
airbags. Bad, as in I landed a little too much
towards my feet instead of landing flat on my back, and I suffered whiplash when my head came
forward.” |
DELIGHTS: “The best part is when you make the landing in
the air bags. When you’ve landed properly and you’ve had a
good flight—there’s no feeling like that in the world.”
DIFFICULTIES: “The hardest part is probably just working
up the nerve to climb into the cannon in the first place.
Obviously, you can’t be claustrophobic. And we’re peaking
out near 38 feet, so you can’t be afraid of heights.”
DANGERS: There is always the risk of missing the safety bags.
In all, 30 human cannonballs have died over the years performing
the stunt. “The most dangerous part is the landing.
The injuries that you could suffer on takeoff are not as bad as
the injuries you could suffer on your landing.”
SCHEDULE: Tina and her family travel 50 weeks a year with
the circus. They are typically in each city for just a week.
“We’re constantly on the move. Every Sunday, after our last
show, we’ll pack up our motor home, hit the road and travel
to the next city.”
obsT I N A M I S E R , H U M A N C A N N O N B A L L
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